The Death of Cleopatra

Edmonia Lewis, The Death of Cleopatra, 1876, marble. Smithsonian American Art Museum, Washington, DC. Image credit: SAAM.

The Death of Cleopatra was Edmonia Lewis’ most ambitious project: A large marble sculpture (weighing almost 3 tons), completed for the 1876 Centennial exhibition in Philadelphia. A more detailed discussion of this sculpture is in the works, but for now, here is an overview in video form. If it sounds a bit like a student presentation, that’s because it started out as one. But it gives you the basics, and then a bit more.

If you are interested in the fascinating afterlife of the Death of Cleopatra, several links in part 2 of the resource section lead to news articles and podcasts that tell its “lost and found” story, and how it ended up in the storage shed of a mall in Illinois in the late 1980s. It had sat for many years in wind and weather, and if you study the high-resolution images the Smithsonian American Art Museum provides up close, you can see the weather damage that has destroyed what would have once been a highly polished marble surface.

Your Turn

There is so much more to say about this sculpture, and it will appear here soon. But as I work on an ambitious goal, a model essay that would pass muster with art historians in terms of professional standards and originality, but is still well-written and of interest to someone outside of the field who wants to learn more about this sculpture: What do you want to hear more about?

And: Did you like the short overview in video form? What are the advantages and disadvantages of a written blog post as opposed to a video presentation like this? Do you have a preference?
Disclaimer: this is not a professionally produced video, but intentionally made with simple tools that are widely available: a slide show with a (slightly angsty) voiceover, which could be recorded with any simple recording software (I used Zoom’s screen sharing and video recording function, but there are many free applications).

2 thoughts on “The Death of Cleopatra”

  1. What a wonderful job you have done here! I applaud you for all of it. I am a sort-of-sculptor, mostly wood, female, and almost 80, but in no way even close to this woman’s skill. I had never heard of her until I read Smithsonian’s current (recent?) article on her.
    The oddest thing for me – I could not find the snake; perhaps the lighting makes it difficult to see.
    Snake or no snake, thank you so much for this video, and I wish you all good things in your career!.

    1. Thank you, Polly. I really appreciate hearing from you and your attention to detail! From what I have read (not having seen the sculpture in person, which would make it clearer), the extensive damage to the sculpture while displayed outdoors for decades and then improperly stored included the snake’s head. If you zoom in on the frontal image at the Smithsonian, you can see that she is holding something in her right hand, the one that is resting on her thigh, and that is what is left of the snake!

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